The Lost History of Brightwood
The Lost History of Brightwood traces a forgotten 1890s Indiana airship company outward into the wider history of American invention, industry, archives, transportation, media, and the systems that determine what technology survives, disappears, or returns as legend.
The Lincoln Log: The Machine Behind the Lincoln Assassination
In November 1876, counterfeiters broke into Abraham Lincoln’s tomb and attempted to steal his body. Their plan was to ransom the corpse for the release of Benjamin Boyd, an imprisoned engraver whose skill sustained the counterfeit economy. A Secret Service informant held the lantern.
That scene is where The Lincoln Log begins — not because it solves the assassination, but because it reveals something the official story never fully absorbed.
Project:
Abbey Road
Project Abbey Road reexamines the Beatles as more than a band, treating them as the center of a larger system where music, media, British industry, finance, intelligence culture, and 1960s mythology converged. It follows the machinery behind Apple, EMI, Abbey Road, and the modern pop dream, asking how a cultural phenomenon became one of the most powerful myth-making engines of the 20th century.
Dominic’s Sun
Dominic’s Sun is a paranoid conspiracy thriller about Marv, a Pentagon insider whose breakdown in Las Vegas pulls him into a hidden world of intelligence games, occult symbolism, nuclear secrets, and engineered reality. As the lines between memory, hallucination, and classified truth collapse, Marv begins to realize the system he thought he served may have been shaping him all along.
The Latta Connection
The Latta Connection traces the industrial and family networks behind 19th-century engineering, canals, steam power, railroads, and civic infrastructure. It follows how the Latta name moved through the machinery of American expansion, linking regional history to the larger systems that built the modern country.
Hughes: One Man, Three Names
Hughes: One Man, Three Names follows the strange trail of George W. Hughes, James Hughes, and James Madison Hughes through canals, railroads, law, war finance, and postwar Indiana power. It argues that these names may represent one operating persona moving through the machinery of American expansion, from engineering and courts to Lincoln-era banking, cotton, and Reconstruction cleanup.
Bones in the Box
Bones in the Box is a historical true-crime reconstruction of one of Indiana’s strangest and most unsettled murder cases. In 1855, Wabash County hanged John Hubbard for the murder of Aaron French, his wife, their five children, and canal laborer Edward Boyle. The legend that followed was neat, repeatable, and easy for the county to carry forward. The record is not.
The Unnameable Archive
Unnameable Media explores the strange edges of history: forgotten people, buried archives, regional folklore, hidden networks, lost technologies, crime, empire, media, and the machinery underneath American culture. The archive collects original long-form research, historical investigations, essays, and experimental work following the stories that conventional history leaves scattered behind.
The Horizon Terminal
Horizon Terminal is an interactive public-access archive node built inside the Horizon mythos: part classified computer shell, part damaged government record system, part retro training cartridge.
Ford’s Theater:
A Conspiracy in Wood
Performed as a solo vaudeville spectacle at Ford’s Theatre, Ford’s Theater is a one-man show built from lantern light, creaking floorboards, and the kind of stories that don’t stay buried.
One performer.
A stool.
A briefcase.
And a raft that shouldn’t float.
Whistle & Whittle
Whistle & Whittle is an Appalachian machine record — part ridge-line hymn, part factory-floor ghost story. Built from banjo, whistle, low industrial pulse, and field-recording texture, the album moves like a place becoming a system: woods into rail, rail into road, road into company, company into signal.
Le Velvet Rouge
Le Velvet Rouge is a velvet-curtain noir record. Built from lounge shadows, cabaret atmosphere, low electronic pulse, ghost strings, and the hush of a room where every beautiful surface feels slightly dangerous, the album moves through red light, smoke, theater, secrecy, and after-hours decay.
Los Alumbrados
Los Alumbrados is desert mysticism with a knife under the altar — a dark Latin-occult project built from outlaw folk, ritual percussion, Spanish code, saint imagery, and low cinematic atmosphere. It moves through roadside shrines, moonlit border roads, old Catholic fear, and the strange faith of men who live outside official forgiveness.
The Butcher Holler Company
Butcher Holler Company is an Appalachian folk band built on porch songs, gospel memory, bluegrass picking, miner-ballad grit, and the old humor of families who made music because that was how they carried the day.
Art
